Netflix recently released the supernatural horror thriller “Baramulla,” directed by Aditya Suhas Jambhale, which has captivated audiences with its compelling narrative, performances, music, and technical prowess. The film stars Manav Kaul and Bhasha Sumbli, weaving together the trauma of Kashmir with a mystery involving missing children.
Bollywood Bubble spoke with the film’s music creators, Shor Police, comprised of Clinton Cerejo and Bianca Gomes, about their experiences. The duo shared insights on forming Shor Police, collaborating on the Aditya Dhar-backed film, composing the tracks, and the challenges they faced. Here’s what they revealed.
Shor Police: Clinton Cerejo and Bianca Gomes Discuss Baramulla’s Music
How did Shor Police come to be, and how did you choose the name?
Bianca: When Clint and I decided to form a band, we wanted a fun name. Clint wanted to move away from his folk music roots and explore something more pop and enjoyable. We brainstormed various names…
Clinton: We consulted my wife Dominique, who had previously named our fusion project Anantal. She suggested “Shor Police,” which resonated with us due to its nostalgic and playful connotation, reminiscent of childhood games.
What was your first reaction when approached for Baramulla’s score and songs?
Clinton: Initially, we declined due to other commitments and the film’s tight schedule. However, we were drawn to the project by our love for B62 Studios and the film’s nuanced portrayal of Kashmir. The layered script and its genre-bending approach ultimately convinced us to participate.
Bianca: The film’s breathtaking landscape and emotional depth inspired us to capture its essence through music, focusing on family and values rather than religion.
Which original track was most challenging, and which holds a special place in your heart?
Our first track, “Neend Ke Shikare,” was challenging as it needed to transform an upbeat Kashmiri folk song into an emotional lullaby. Shilpa Rao’s rendition beautifully captured its essence. Another favorite is Krishna Bhiora’s “Phir Se Dikhe,” which embodies a rustic folk vibe.
Is composing for horror films more difficult than for romantic comedies?
Clinton: Yes, horror scores rely heavily on creating fear through music, requiring dissonance and a deep understanding of theory. Horror music preps the audience for scares, unlike rom-coms where music follows the humor. Bianca’s love for horror significantly aids our process.
For more entertainment news, visit Bollywood Bubble.
Also Read: Baramulla REVIEW: Manav Kaul’s Horror Film Merges Horror and Small Town Tales with Skill, Nuance, and Heart
With nearly 10 years of experience, Grinell Esther Jacinto is the Desk Head of Bollywood Bubble. Her interests lie in Bollywood and horror films.
