Arsenio Orteza, Senior Editor
Everything’s Better, The 1910 Chainsaw Company
The band’s name plays on the 1910 Fruitgum Company, a bubblegum pop group from the late ’60s known for several hits. However, none of their songs match the catchiness and variety of the 10 tracks on this album. While “sunshine pop” might describe the overall vibe, it doesn’t capture the Everly Brothers tribute “Hitchin’ a Ride,” the energetic garage-rock “Band Aid,” or the dynamic ending of “Baby Blue.”
Dark Country, Gary Louris
At nearly 70, Louris recorded songs that draw from influences like Graham Nash’s “Our House,” acoustic Beatles tracks, and Harry Nilsson’s “Perfect Day.” Despite these classic inspirations, the album feels fresh, with Louris sounding as vibrant as ever since his days with the Jayhawks.
Against the Grain, Lance Cowan
Last year, Lance Cowan showed that a seasoned Americana PR professional could produce an album as good as his clients. This year, he surpassed the sophomore slump with music that combines mid-’70s country-rock instrumentation and vocal harmonies with sharper hooks reminiscent of the era when millions tuned into Hotel California.
Charles Moss, Associate Editor
Fade Away Blue, Pete Droge
After nearly two decades, ’90s alt-rocker Pete Droge released a deeply personal solo album. Fade Away Blue tackles themes of depression, addiction, anxiety, and abandonment, alongside his search for his birth mother. Co-written with his wife, Elaine Summers, the album is infused with hope and gratitude, making it a standout in 2025.
Horror, Bartees Strange
Bartees Strange’s third album, Horror, was introduced by SPIN writer Brendan Hay. The artist aimed to create a record that felt like a horror movie, starting with the track “Too Much,” which addresses life’s overwhelming pressures. The album explores themes of insecurity, loneliness, and relationships, making it a compelling self-help journey.
Liza Lentini, Executive Editor
West End Girl, Lily Allen
Lily Allen’s fifth studio album, released during the end of her marriage to David Harbour, sparked widespread discussion. Written in just 10 days, it combines her signature style with a semi-autobiographical narrative. The album’s authenticity resonated with many, showcasing the power of raw, inspired art.
For the People, Dropkick Murphys
Released on July 4, Dropkick Murphys’ 13th studio album is a collection of empowering and sometimes sentimental protest anthems. Known for their authenticity, the band continues to deliver music that resonates with listeners during challenging times.
Rise Up, Cha Wa
Rise Up by Cha Wa is a vibrant and powerful album from the New Orleans-based Afro-Indigenous funk group. The opening track sets a spirited tone, and the album aligns them with some of the greatest funk masters, making it a must-listen.
The Music of Tori and the Muses, Tori Amos
In March, Tori Amos released a children’s book with a companion album, Tori and the Muses. The project celebrates her childhood as a prodigy, with music that inspires all ages to embrace their uniqueness and find inspiration in everyday life.
Matthew Thompson, Senior Editor
Fleshwork, Pupil Slicer
Pupil Slicer’s Fleshwork delivers powerviolence metal with intensity and impact. This London trio, known for their radical inclusivity, offers a sonic experience that challenges and energizes listeners.
Black Letter Day, Sean Power & The Main Street Band
Sean Power & The Main Street Band’s debut album, Black Letter Day, offers a fresh take on Australian country rock and blues. The album combines melodic and guitar-driven tracks, establishing a strong presence in the music scene.
Alive, Maksatik
Maksatik, a mysterious producer, released Alive, an album that blends drift phonk with Eastern European influences. The music, often discovered through war footage, offers a unique and impactful listening experience.
